Sunday, October 31, 2010

Ghostly Japan

Here is the long awaited Halloween post from David! Enjoy!


They say Japan is haunted. The entirety of it, tip to tip. Ghosts are everywhere, demons are numerous and spirits are plentiful. We`ve heard tale of random disappearances, spectral sightings and other incidents that require the attention of Harold Ramis, Ernie Hudson, Dan Akroyd and Bill Murry (Yeah, those were the Ghostbusters). Ask anyone one on the street here and they will likely say that Japan is the most haunted series of islands on earth. They might be right but I have yet to see any proof. And I have been looking.

I`ve heard the ‘most haunted’ claim before. When I lived in Hawaii all my friends told ghost stories, many of which they said happened to them first hand. Stories about something unseen sitting of their chest while they sleep, stories about long dead Hawaiian Kings and the tribes they forced off cliffs, stories about the volcano goddess randomly appearing in cars and causing them to crash. In addition to being fun to listen to, these stories always had an air of validity about them. This is mostly because the island of Oahu actually feels haunted. Not all of it of course, the beach resorts, the giant shopping malls, the countless ABC stores don`t. But away from the tourist areas things can feel a little eerie. The old Pali highway is a prime example. It`s also called the Nuʻuanu Pali, and there are some strange stories about traversing it and some dark tales from its past.

The road is ancient and has been heavily used for it is nice and low, easy traversable pass connecting two sides of the island. It`s history is surprising sordid considering no one thinks of Hawaii as a place where horrific bloody battles took place, but the Nuʻuanu Pali was the site where King Kamehameha, the king who unified the Hawaiian islands and created the Kingdom of Hawaii, finished his conquest of Oahu. He also made 400 enemy troops walk off a cliff to their deaths. Not something one tends to think about while enjoying the view off the Pali lookout. Later, when the highway was built it said that the workers found some 800 skulls.

I lived right near where all this happened.

In addition to the history of the Old Pali, there are also the ghost stories that are told by the travelers over it. Stories about beautiful women leading men to their deaths and the Goddess Pele smiting those who dare to bring pork travelling on the road. My friend didn`t know that bring pork over the Pali offended Pele but then his car broke down and then his radio and then series of unlucky coincidental occurrences caused him, at the suggestion of our Hawaiian friend, to perform some sort of redemption ritual off the side of the Pali. Now I`m not saying I believed Pele was the cause of his unlucky streak, the kid seemed to bring misfortune on himself, but I did go along to watch. How many chances would I have to see an ancient Hawaiian ritual performed because someone was eating a pork sandwich while driving?

Again, I lived right near here; I had to take this road almost every day. Things felt slightly eerie. The ghost stories, whether I believed them or not felt appropriate, they fit the surroundings, the creeping feelings of terror one felt while waiting for the bus on a foggy dark road felt justified. There is a similar feel about Japan.

If you are familiar with Japanese history you know how bloody it is. That might be the reason why there are so many Japanese ghost stories. And these stories are common. Just look at some of the films Japan has exported over the past few years. Ringu and Ju-on may have been remade into The Ring and The Grudge and tailored for American audiences but they are inherently Japanese stories. The American versions of these are terrifying, they are the sort of movies that can keep you up for days, psychologically scare you and cause you to never watch a VHS tape or move into a new house. The original Japanese versions of these movies are even scarier. Ringu, which is based on a book by the same name which is in turn drawn from Banchō Sarayashiki and stories of the woman in the well; an old Japanese folktales from the Edo period. There are thousands of stories just like this throughout the county. On top of this Japan has embraced these ghost stories, the woman in the well has made an appearance in a number of literary works and a few plays, not only in Ringu.

Beyond the stories and culture, many places in Japan just feel haunted.

The town of Imaichi, where my apartment is, is technically a part the City of Nikko, Japan. It`s considered a great tourist town and has been for 400 or so years. There are Japanese Onsens, or hot springs baths, amazing hiking trails and a UNESCO World Heritage Site. It is also the burial place of Tokugawa Ieyasu, who was one of the unifiers of Japan. He helped end years civil war and found the Tokugawa shogunate. He`s also considered something of a murderous tyrant. He attacked the husband of his granddaughter, forced him and his mother to commit seppuku and then burned his castle down. Ieyasu died a year later. This was one of his last acts on his long and bloody road to power. He`s just up the road from me. A long old road lined with ancient cedars. I often walk along this road on my way to and from work.

It`s very easy to imagine ghost walking along this road at night. The trees tower above you, block out any light from stars or the moon. An ancient rock wall lines it on both sides. And when it`s past a certain hour, there next no cars or people using but me. Beyond that there is a long partially lit pathway. The train tracks run alongside it. There are three light poles bunched all together. Their light only goes so far and once one walks past it they make long shadows out of everything. The next set of lights is at the railway crossing, which is at the end of the path. Those lights are red and only on when a train is coming and that’s rare. Once or twice an hour. Fields of rice mirror the tracks on the other side of the path. The rice fields are deep; the earth seems to sink down a foot or so. Where the rice meets the soil is lower than where my feet meet pavement. Frankly, it looks like a perfect place to hide. During the day this is perfectly peaceful walk, at night it can be a bit unsettling.

As a tourist town, Nikko has its fair share of hotels. The first one I see when getting off the train is four stories tall, boasts the Sakura Café, has a rooftop garden and a large parking lot. It is also completely empty. The first time I passed it I felt uneasy but I didn’t realize that there was no one inside it until after a month or so of living here. It took me a while to put all the signs together and realize it`s closed. All the curtains and blinds are drawn and have been for long time and there has never been a car in the parking lot, which has a long chain running across its entrance. The rooftop garden has grown wild.

Oh, and the front doors are locked.

They are the large glass automatic type. When I went to check them I could see into the hotel lobby. It was dark and devoid of life but it was hardly empty. It has all the things a hotel lobby needs, front desk, chairs, a coffee table. They were all just a little out of date, a little out of fashion. When peering through the blinds of the café I found a similar sight. It looks like it was closed in a hurry. And there is only one explanation for it; it`s believed to be haunted.
Now, I know there are other possible reasons the hotel is the way it is. It could have closed because there weren`t enough guests, the hotel went bankrupt and many other logical excuses. But anyone who rides on the weekend train can see there are more than enough tourists to fill it. Beyond that, the hotel a block or so down always has a full parking lot. And why hasn`t it been sold? Why is there no sign trying to sell it? There`s not even a sign indicating that it`s closed.

While the hotel is a bit eerie, there is an old house in the city that is simply frightening. Sarah`s apartment is a few blocks from Utsunomiya station, a major train hub for the region. There are a large number of bars, restaurants and clubs within a five minute walk from her front door, not to mention the countless office and apartment buildings. This house does not belong in this sort of neighborhood.

It`s on the same block as Sarah`s building. It would be a great place if it wasn`t falling apart, and possible filled with vengeful spirits. The first thing I noticed about it was the vending machine out front. It`s an old Pepsi machine. But it`s unlike the countless other machines I`ve seen throughout the country. First off, it only has four selections; most have at least 8 if not more. Secondly, the prices are the lowest I`ve seen. The largest differences are that it`s empty, unplugged and encased in ivy. It`s actually easy to miss when strolling by, leaves cover at least three quarters of it.

The house it sits in front of, from all appearances, is abandoned. It has two floors, three large garage doors that when opened would expose what used to be a shop of some sort. One of which has a large dent in it making it impossible to open. The peach color of the house seems to have been rubbed away in places and has been replaced with a dark grey color. Perched atop the house is an ancient TV antenna, slowly rusting and aging with the house. Plants grow around it, weeds gone unchecked surround the only visible door, which has no knob. As far as I can tell there is no actual way into the house. On top of it all, as Sarah pointed out to me, there is a strange smell that hangs about the place.

The scariest bit about the house, worse than the fact that it has no entrance, is that there are still curtains hanging in the windows on the second floor. They are not drawn or fully open but somewhere in between. They are placed just so, when passing, you can see just enough of the inside, which is just as decrepit as the outside. I`m reluctant to use the phrase ‘sinister aura’ here, but at risk of sounding like a one of those awful medium shows, there is a strong sinister aura about the place. I always look up through the second floor windows expecting some sort of spectral vision to peer back at me through the curtains.

Of course similar arguments that applied to the hotel apply here as well. The owner went bankrupt, lost the house or there was a fire or something along those lines. However, this is Japan, the country where they are tearing down an old beloved Kabuki theater to make way for a new Kabuki theater/office tower. Someone would have bought it, leveled it and turned it into something else except for the fact that it`s haunted and everyone knows that if you tear down a haunted building and replace it with something new, the new structure is just as haunted or more so than the first one.

Now, I know I just spent a great deal of time insinuating that these places I described are haunted, if not outright claiming so but I don`t think it`s really all that important if they are or not. What is important is that they feel haunted. They are creepy, they make the hair on the back of your neck stand up and they you fill you with a sense of unease. It doesn`t matter if ghosts or spirits or whatever lurk unseen in these places, beyond that, it doesn`t even matter whether or not these things are in fact real. Haunted buildings and ghost stories have very little to do with reality. It`s about the feeling they give you, they way they can take hold of your imagination.

So, is Japan the most haunted country on earth? Well, maybe. I haven`t seen any ghosts or anything but it certainly feels like it should be haunted. The ghost stories feel appropriate and there is an abundance of places that fill a person with ‘the creeps,’ and that certainly helps Japan`s reputation as the most haunted series of islands in the world.

David A. Graham

Tuesday, October 26, 2010

Lost in Translation


One of my favorite movies of all time is Lost in Translation.  For those of you who have never seen it, please watch it as soon as possible.  It's a beautiful film by Sofia Coppola starring Scarlett Johansson and Bill Murray.  David and I share a love of this movie for many reasons.  It's about finding yourself in Japan and getting lost along the way.  It's about cultural and generational differences and similarities.  It's also a beautiful portrait of an amazing city.  David and I spent last weekend in Tokyo and it was everything Lost in Translation led me to believe it would be.  Fast paced and energetic, slow and meditative, enormous and exciting.  Tokyo was everything a city can be.  Suffice to say, David and I had a wonderful time.  Unfortunately, I forgot my SD card for my camera, so I was only able to take pictures after a stop to Akihabara to get a new one.  However, the pictures I did get turned out pretty well.  Click here for all the photos from the trip.  Of all the wonderful things we did on the trip, the best was discovering how close we are to Tokyo, how cheap it is to get there and realizing we would be back soon and often. A 90 minute train ride from Utsunomiya found us in Ueno Terminal in the north of Tokyo.  A short subway ride later we were at our hotel in Akasaka, a trendy upscale neighborhood.  We spent most of our first day lamenting the missing SD card and looking for a camera shop. We were mostly unsuccessful in finding a camera shop, but wandered around the side streets of various neighborhoods and ended up stumbling on what looked like the entrance to a magical forest in the middle of the largest city in the world.  It ended up being just that.  Meiji Shrine is one of the largest shrines in Tokyo and is located at the heart of a densely wooded are of Yoyogi Park.  The Canopy of the trees blocked out the sun and gave a chill to the air.  The path was wide enough for a crowds of thousands to make their way to the shrine, which the occasionally do.  However, there were very few people in the shrine grounds on the day we were there.  Yet, as open as the path before us was, the enormity of the trees around us gave the forest an intimate feeling.  Rays of sun would occasionally peek through the branches and leaves, making me swear I had seen something out of the corner of my eye. In the very center of the park, two paths cross and there are no trees for a hundred feet, letting you see the sky for a moment before walking back into the cool darkness of the forest on the other side.  The entrances and exits of the shrine grounds are marked by torii gates, traditional Japanese Shinto gates like this one.


This is a torii in Utsunomiya.  The torii at the Meiji Shrine, however, were hundreds of feet tall.  Passing through these massive gateways truly made it feel as though were entering another world. At the other end of the park, we left the forest to find ourselves in the middle of Harajuku, the fashion capital of Japan.  Going from this natural sanctuary to the hustle and bustle of a busy urban street was jarring, but is the essence of Tokyo.  High rises and shrines nestled side by side.  Women in suits ride the subway sitting next to women in kimonos.  

After our adventures wandering through Yoyogi and Harajuku, we decided to head to Akihabara where we would be sure to find an SD card.  Akihabara, also known as Electric Town, was once the post-WWII black market for radio parts.  It has now become THE place to buy any kind of electronics.  From huge department stores to tiny shops down side alleys, you can buy anything you need to build your own computer, robot or anything electronic you can think of. Akihabara is also the otaku district.  Otaku is the Japanese word for nerd or shut-in.  Here in Japan, just as in America, the word nerd has been reclaimed - people are proud to be geeky.  So, you can also find any anime or video game related item you can think of.  There are even themed cafes centered around various shows and games.


The next day in Tokyo saw my dreams of seeing traditional Japanese theatre come true.  David and I saw two Kabuki plays at the National Theatre of Japan.  It was fascinating and beautiful.  We were greatly helped by our earphone translator which let us know what exactly was happening. We were not the only ones wearing them, though.  As well as the handful of other tourists in audience, many Japanese audience members were wearing translators as well.  The language in kabuki is often archaic, similar to Shakespeare in English.  The acting style also involves intense intonation and rhythmic stylization, rendering much of the Japanese difficult for even native Japanese speakers to understand. Kabuki is a style of theatre focusing on the visual poetry of performance.  It is a presentational form of theatre rather than a representational one.  In Western theatre, we strive to represent reality or tell a particular story.  Kabuki mostly uses stories incredibly well-known to their Japanese audiences. People don't come to have a story told to them, they already know the ending.  They come to see the representation of the story.  The beautiful costumes, the skill of the actors voicing melodramatic moments in time and the magic of theatre special effects.  Thus, it is very difficult for Western audiences to understand and appreciate Kabuki. However, as a theatre history geek and perpetual academic, I was in heaven!

After four hours of theatre, which is exhausting for even the seasoned theatre veteran, we were ready for some sightseeing before we had dinner and headed home.  We made a quick stop at Tokyo Tower.  Once the tallest structure in the city, Tokyo Tower is now being replaced by the Tokyo Sky Tree (not yet completed). It is no longer tall enough to get a TV signal over the high rises of Tokyo.   However, it is still really tall and pretty spectacular to see.  Exactly 13 meters taller than the Eiffel Tower, it seems to exist only to out do other attractions.  And to broadcast TV and Radio signals.   A friend told us make sure we saw it at night, and I'm glad we stayed until it got dark.



I'm pretty proud of the night photo - David called it "postcard-worthy."

We finished our weekend at a kaiten sushi restaurant that had been recommended on the internet. Kaiten sushi is conveyor belt sushi, where sushi chefs stand around making sushi and placing it on a conveyor belt that circles the restaurant.  You just grab what looks good and at the end of the meal they count the number of plates you have.  Different colored plates cost different amounts, which are posted on a wall somewhere.  If you don't see the exact kind of sushi you want you can also yell out the kind of sushi you would like and the sushi chef will make it right away and hand it to you over the counter.  The sushi was delicious, and with our bellies full we paid the bill - less than 20 dollars each.  The joys of living in Japan!

We caught a a train home and were back in friendly Utsunomiya in 104 minutes (we got the slow train). The trip was great, but coming home was also pretty wonderful.  Arriving at the apartment and taking off our shoes, we felt like we were back home - which I suppose means we are finally settled in.  I hope everyone is well wherever you happen to be in the world!

さよなら!
(sayonara!)
Sarah

Monday, October 11, 2010

A Good Day in Utsunomiya...

So, I thought I should post something since I haven't had any updates for a while.  Nothing terribly exciting or out of the blue has happened since my first earthquake, but David and I did have a pretty good day out in Utsunomiya.  We both had the day off and thought we would use our time shopping for new pants! I really need a new pair of jeans and this provided a good excuse to go downtown.  Well - I didn't find any pants.  I did, however, visit a Shinto shrine, see three open air concerts, eat cheap, delicious sushi and have two separate successful conversations in Japanese! Here are some pictures from today. Click on the link for photos and some videos! I will caption them soon - I promise! The video of the a capella group has one of our Japanese conversations in the background if you listen closely...

David has promised a ghost-themed blog post for Halloween, so keep your eyes peeled! We are going to Tokyo next weekend (my first time!).  There will be lots of pictures and another lengthy blog post after that!

Hope you are well wherever you are!

Sayonara!